ALICE COOPER - clones (we are all)

from alice cooper's 1980 album "flush the fashion".one of my favorite alice tunes off this album.this and "nuclear infected" and "aspirin damage".
lyrics:
I'm a clone
I know it and I'm fine
I'm one and more are on the way
I'm two, doctor
Three's on the line
He'll take incubation another day

I'm all alone, so are we all
We're all clones
All are one and one are all
All are one and one are all

We destroyed the government
We're destroying time
No more problems on the way

I'm through doctor
We don't need your kind
The other ones
Ugly ones
Stupid boys
Wrong ones

I'm all alone, so are we all
We're all clones
All are one and one are all
All are one and one are all

Six is having problems
Adjusting to his clone status
Have to put him on a shelf
All day long we hear him crying so loud
I just wanna be myself
I just wanna be myself
I just wanna be myself
Be myself
Be myself

I'm all alone, so are we all
We destroyed the government
We're destroying time
No more problems on the way

I'm through doctor
We don't need your kind
The other ones
Ugly ones
Stupid boys
Wrong ones

I'm all alone, so are we all
We're all clones
All are one and one are all
All are one and one are all
I'm all alone, so are we all
We're all clones
All are one and one are all
All are one and one are all

a little on alice and the album:
Alice Cooper (born Vincent Damon Furnier; February 4, 1948) is an American rock singer, songwriter and musician whose career spans five decades. With a stage show that features guillotines, electric chairs, fake blood, and boa constrictors, Cooper has drawn equally from horror movies, vaudeville, heavy metal, and garage rock to create a theatrical brand of rock music that would come to be known as shock rock.

Alice Cooper was originally a band consisting of Furnier on vocals and harmonica, lead guitarist Glen Buxton, Michael Bruce on rhythm guitar, Dennis Dunaway on bass guitar, and drummer Neal Smith. The original Alice Cooper band broke into the international music mainstream with 1971's monster hit "I'm Eighteen" from the album Love it to Death, which was followed by the even bigger single "School's Out" in 1972. The band reached their commercial peak with the 1973 album Billion Dollar Babies.

Furnier's solo career as Alice Cooper, adopting the band's name as his own name, began with the 1975 concept album Welcome to My Nightmare. In 2008 he released Along Came a Spider, his 18th solo album. Expanding from his original Detroit garage rock and glam rock roots, over the years Cooper has experimented with many different musical styles, including conceptual rock, art rock, hard rock, new wave, pop rock, experimental rock and industrial rock. In recent times he has returned more to his garage rock roots.

Alice Cooper is known for his social and witty persona offstage, The Rolling Stone Album Guide going so far as to refer to him as the world's most "beloved heavy metal entertainer".[6] He helped to shape the sound and look of heavy metal, and is seen as being the person who "first introduced horror imagery to rock'n'roll, and whose stagecraft and showmanship have permanently transformed the genre". Away from music, Cooper is a film actor, a golfing celebrity, a restaurateur and, since 2004, a popular radio DJ with his classic rock show Nights with Alice Cooper.

Flush the Fashion is an album by Alice Cooper, released in 1980. Musically the album was a drastic change of style for Alice Cooper tending towards New Wave music influences such as Gary Numan. Though the lead single "Clones (We're All)" only touched the Billboard Top 40, the album was Cooper's most successful album in 4 years and is widely considered by fans as a hidden gem in his musical catalogue.

This record was produced by Roy Thomas Baker.

The album's ten tracks touch on themes such as the loss of identity, taking on other roles, and the usual Alice Cooper-esque dementia. This is evident even in the lyrics of Flush the Fashion's cover songs (for example the "Clones" single). Cooper also performs several "story" songs, presenting a series of intriguing vignettes in lieu of more traditional subject matter.

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