Nice.

Of course it'd have to be prefaced with "dada da DA -- da DAAA..."

Here's the voice of the semantic, the insect whose measure of achievement/ usefulness upon the planet is specialization, here evidenced as the questioning of the validity of the Father of Dada and Surrealism.

Life: The marketplace of Ideas. Net worth tallied according to one's contributions to hard sciences and medicine.

Check your Georgia Guidestones and welcome to Gattica.

Dada made me a star, my brother is a way better actor, oh shit, he's dead.
Sean Penn: Everyone around him is a better actor....Because his only ever-role bees Hact!

The door is open.

Thanks.

Anyway, I think it is foolish for anyone to say that god does not exist and they know it. But, god could mean so many things. All I know is that a bunch of dudes wrote the Bible based on older stories. It is man made, there may be some truth to it but there is some truth to everything. The kind of fascism hypocricy that today's extremist republican christians exhibit disgusts me. They would let rich, corrupt motherfuckers, manipulate them for their own gain and throw them from a plane. Their perception of reality is so completely bent by right wing think tanks and corporatism that they live in some sort of Christian inspired DaDa universe while the rich send their zombie minds to the polls to vote with their manipulated hearts and steal every last penny from their coffers as they self willingly turn a blind eye.

Well, in this context God means the being that created the Universe. The scripture claims to be revelation from this God, in the person of Jesus Christ. God says we have all sinned and are accountable to Him for our sins, but He sent a Savior who paid the price for our sins so we could be forgiven and have eternal life with Him. Jesus says everyone who comes to God must go through Him:

John 14:6 Jesus said to him, "I am the way, and the truth, and the life. No one comes to the Father except through me.

So, God could be many things, but there is only one way to know God according to Jesus. So, it's not something you can just pick and choose from. If Jesus wasn't raised from the dead, none of it is true. I have found His claims to be true.

I can't speak for your impressions of Christians as seen through the lens of our current culture, but seen through the lens of society at large Christians have been a force for good. Before the welfare system was created, the church in America was providing the social safety net, and still does in a number of ways. They're the ones running the charities, food banks, youth centers, blood drives, homeless shelters, etc. Look in any community, you will undoubtedly find Christians taking care of the poor and doing good works. I'm not saying there are no secular charities, food banks, etc, but this is something the church is well noted for.

There is some truth to what you say. Christians are not perfect, and unfortunately in the western church this sometimes becomes very apparent. You do not usually see this kind of behavior from Christians in countries where there is some cost to becoming a Christian. When there is no cost to following Christ, the church becomes lazy and apostate, as you see today in America. A good percentage of American Christians probably are not saved. This isn't though a reason to reject Jesus. He in fact predicted this behavior from Christians in Matthew 24. It is simply that we are not following His ways that you see this kind of behavior.

Question: Do you have any church background or were you raised in a secular home?

Hey Shinyblurry,

This is exactly why you should come over to my house and try some DMT. You said anyone who does it is under control of demons. How would you know if you havent tried? Are you saying that you do not really know anything at all?

The door is open.

Anyway, I think it is foolish for anyone to say that god does not exist and they know it. But, god could mean so many things. All I know is that a bunch of dudes wrote the Bible based on older stories. It is man made, there may be some truth to it but there is some truth to everything. The kind of fascism hypocricy that today's extremist republican christians exhibit disgusts me. They would let rich, corrupt motherfuckers, manipulate them for their own gain and throw them from a plane. Their perception of reality is so completely bent by right wing think tanks and corporatism that they live in some sort of Christian inspired DaDa universe while the rich send their zombie minds to the polls to vote with their manipulated hearts and steal every last penny from their coffers as they self willingly turn a blind eye.

These guys are so terrible it defies words. They'd be a good opening act for Lady DaDa.

I support this, though most people won't see their accomplishments. People need to go with the hype and at least it will bring most awareness to the Deep Web. 4chan is like some dork dada experiment - the deep dark web is deep, dark & stank. Complete anonymity is awesome when people are just & righteous, it unfortunately goes both ways though and there are plenty of Child Porn sites on the deep web that are fucking huge. More than likely your Republican senator or your priest at church are the gross fucks posting this shit.

I don't want Tor to be reverse engineered but I hope Anonymous can take down those sites and bring attention to Tor. You're either a political activist seeking refuge, a paranoid weirdo, buying drugs or uploading/downloading child porn. People should know.


Support anonymous, upvote this shit!

I'm EIIIGHTEEEEN
and I don't know what I want
EIIIGHTEEEEN
I just don't know what I want
EIIIGHHTEEEN
I gotta get away
I've gotta get out of this place
I'll go runnin in outer space
OH YEAH

(dooo do dodo dooooo dada)

check out the dada life remix...

Dali was fascist scum.

http://www.counterpunch.org/navarro12062003.html

The Jackboot of Dada

Salvador Dali, Fascist

By VICENTE NAVARRO

The year 2004, the centenary of Dali's birth, has been proclaimed "the year of Dali" in many countries. Led by the Spanish establishment, with the King at the helm, there has been an international mobilization in the artistic community to pay homage to Dali. But this movement has been silent on a rather crucial item of Dali's biography: his active and belligerent support for Spain's fascist regime, one of the most repressive dictatorial regimes in Europe during the twentieth century.

For every political assassination carried out by Mussolini's fascist regime, there were 10,000 such assassinations by the Franco regime. More than 200,000 people were killed or died in concentration camps between 1939 (when Franco defeated the Spanish Republic, with the military assistance of Hitler and Mussolini) and 1945 (the end of World War II, an anti-fascist war, in Europe). And 30,000 people remain desaparecidos in Spain; no one knows where their bodies are. The Aznar government (Bush's strongest ally in continental Europe) has ignored the instructions of the U.N. Human Rights Agency to help families find the bodies of their loved ones. And the Spanish Supreme Court, appointed by the Aznar government, has even refused to change the legal status of those who, assassinated by the Franco regime because of their struggle for liberty and freedom, remain "criminals."

Now the Spanish establishment, with the assistance of the Catalan establishment, wants to mobilize international support for their painter, Dali, portraying him as a "rebel," an "anti-establishment figure" who stood up to the dominant forces of art. They compare Dali with Picasso. A minor literary figure in Catalonia, Baltasar Porcel (chairman of the Dali year commission), has even said that if Picasso, "who was a Stalinist" (Porcel's term), can receive international acclaim, then Dali, who admittedly supported fascism in Spain, should receive his own homage." Drawing this equivalency between Dali and Picasso is profoundly offensive to all those who remember Picasso's active support for the democratic forces of Spain and who regard his "Guernica" (painted at the request of the Spanish republican government) as an international symbol of the fight against fascism and the Franco regime.

Dali supported the fascist coup by Franco; he applauded the brutal repression by that regime, to the point of congratulating the dictator for his actions aimed "at clearing Spain of destructive forces" (Dali's words). He sent telegrams to Franco, praising him for signing death warrants for political prisoners. The brutality of Franco's regime lasted to his last day. The year he died, 1975, he signed the death sentences of four political prisoners. Dali sent Franco a telegram congratulating him. He had to leave his refuge in Port Lligat because the local people wanted to lynch him. He declared himself an admirer of the founder of the fascist party, Jose Antonio Primo de Rivera. He used fascist terminology and discourse, presenting himself as a devout servant of the Spanish Church and its teaching--which at that time was celebrating Queen Isabella for having the foresight to expel the Jews from Spain and which had explicitly referred to Hitler's program to exterminate the Jews as the best solution to the Jewish question. Fully aware of the fate of those who were persecuted by Franco's Gestapo, Dali denounced Bunuel and many others, causing them enormous pain and suffering.

None of these events are recorded in the official Dali biography and few people outside Spain know of them. It is difficult to find a more despicable person than Dali. He never changed his opinions. Only when the dictatorship was ending, collapsing under the weight of its enormous corruption, did he become an ardent defender of the monarchy. And when things did not come out in this way, he died.

Dali also visited the U.S. frequently. He referred to Cardinal Spellman as one of the greatest Americans. And while in the U.S., he named names to the FBI of all the friends he had betrayed. In 1942, he used all his influence to have Buñuel fired from the Museum of Modern Art in New York, where Buñuel worked after having to leave Spain following Franco's victory. Dali denounced Buñuel as a communist and an atheist, and it seems that under pressure from the Archbishop of New York, Buñuel had to leave for Mexico, where he remained for most of his life. In his frequent visits to New York, Dali made a point of praying in St. Patrick's Cathedral for the health of Franco, announcing at many press conferences his unconditional loyalty to Franco's regime.

Quite a record, yet mostly unknown or ignored by his many fans in the art world.

Vicente Navarro is the author of The Political Economy of Social Inequalities: Consequences for Health and Quality of Life and Dangerous to Your Health. He teaches at Johns Hopkins University. He can be reached at navarro@counterpunch.org.

Dali was fascist scum. http://www.counterpunch.org/navarro12062003.html

The Jackboot of Dada

Salvador Dali, Fascist

By VICENTE NAVARRO

The year 2004, the centenary of Dali's birth, has been proclaimed "the year of Dali" in many countries. Led by the Spanish establishment, with the King at the helm, there has been an international mobilization in the artistic community to pay homage to Dali. But this movement has been silent on a rather crucial item of Dali's biography: his active and belligerent support for Spain's fascist regime, one of the most repressive dictatorial regimes in Europe during the twentieth century.

For every political assassination carried out by Mussolini's fascist regime, there were 10,000 such assassinations by the Franco regime. More than 200,000 people were killed or died in concentration camps between 1939 (when Franco defeated the Spanish Republic, with the military assistance of Hitler and Mussolini) and 1945 (the end of World War II, an anti-fascist war, in Europe). And 30,000 people remain desaparecidos in Spain; no one knows where their bodies are. The Aznar government (Bush's strongest ally in continental Europe) has ignored the instructions of the U.N. Human Rights Agency to help families find the bodies of their loved ones. And the Spanish Supreme Court, appointed by the Aznar government, has even refused to change the legal status of those who, assassinated by the Franco regime because of their struggle for liberty and freedom, remain "criminals."

Now the Spanish establishment, with the assistance of the Catalan establishment, wants to mobilize international support for their painter, Dali, portraying him as a "rebel," an "anti-establishment figure" who stood up to the dominant forces of art. They compare Dali with Picasso. A minor literary figure in Catalonia, Baltasar Porcel (chairman of the Dali year commission), has even said that if Picasso, "who was a Stalinist" (Porcel's term), can receive international acclaim, then Dali, who admittedly supported fascism in Spain, should receive his own homage." Drawing this equivalency between Dali and Picasso is profoundly offensive to all those who remember Picasso's active support for the democratic forces of Spain and who regard his "Guernica" (painted at the request of the Spanish republican government) as an international symbol of the fight against fascism and the Franco regime.

Dali supported the fascist coup by Franco; he applauded the brutal repression by that regime, to the point of congratulating the dictator for his actions aimed "at clearing Spain of destructive forces" (Dali's words). He sent telegrams to Franco, praising him for signing death warrants for political prisoners. The brutality of Franco's regime lasted to his last day. The year he died, 1975, he signed the death sentences of four political prisoners. Dali sent Franco a telegram congratulating him. He had to leave his refuge in Port Lligat because the local people wanted to lynch him. He declared himself an admirer of the founder of the fascist party, Jose Antonio Primo de Rivera. He used fascist terminology and discourse, presenting himself as a devout servant of the Spanish Church and its teaching--which at that time was celebrating Queen Isabella for having the foresight to expel the Jews from Spain and which had explicitly referred to Hitler's program to exterminate the Jews as the best solution to the Jewish question. Fully aware of the fate of those who were persecuted by Franco's Gestapo, Dali denounced Bunuel and many others, causing them enormous pain and suffering.

None of these events are recorded in the official Dali biography and few people outside Spain know of them. It is difficult to find a more despicable person than Dali. He never changed his opinions. Only when the dictatorship was ending, collapsing under the weight of its enormous corruption, did he become an ardent defender of the monarchy. And when things did not come out in this way, he died.

Dali also visited the U.S. frequently. He referred to Cardinal Spellman as one of the greatest Americans. And while in the U.S., he named names to the FBI of all the friends he had betrayed. In 1942, he used all his influence to have Buñuel fired from the Museum of Modern Art in New York, where Buñuel worked after having to leave Spain following Franco's victory. Dali denounced Buñuel as a communist and an atheist, and it seems that under pressure from the Archbishop of New York, Buñuel had to leave for Mexico, where he remained for most of his life. In his frequent visits to New York, Dali made a point of praying in St. Patrick's Cathedral for the health of Franco, announcing at many press conferences his unconditional loyalty to Franco's regime.

Quite a record, yet mostly unknown or ignored by his many fans in the art world.

Vicente Navarro is the author of The Political Economy of Social Inequalities: Consequences for Health and Quality of Life and Dangerous to Your Health. He teaches at Johns Hopkins University. He can be reached at navarro@counterpunch.org.

I usually don't like music videos, but I remember this song, and I really liked the lyrics.

Great vid, though. Very creative. Loved the little dada cafe.

da da dada dadum

The SNOS-PMISSSSS......

duh-dada-DADA-duh-dumdum dadadaDUM...