Looper misses the point on a lot of things and goes for boring pedantry. I was disappointed with their Home Alone one too.

If the company that makes the Looper app has stock, buy it now

In fairness, doesn't Beardyman usually use looper pedal?

Reyn Ouwehand playing Wizball live using a looper has been added as a related post - related requested by oritteropo.

Linnea Olsson - Dinosaur has been added as a related post - related requested by oritteropo.

I have a lot of respect for the ones who manage it all by themselves, including controlling the looper pedals... but a credible performance by Mr. Hanlin. Needed more cowbell though.

*related=http://videosift.com/video/Reyn-Ouwehand-playing-Wizball-live-using-a-looper
*related=http://videosift.com/video/Linnea-Olsson-Dinosaur

Radio: My favorite discovery of 2012 is "Radio Lab", a story telling show reminiscent of another favorite, 'This American Life', but with a much more sophisticated sound design. All episodes are available for free in the podcast section of iTunes.

Music: I fell in love with the New Orleans second line scene after Issy and I paid a visit to the crescent city this year. We saw the 'Rebirth Brass Band' live and had a great time. We also had a mini-meetup at the show with @dotdude. New Orleans music culture is like no other.

Music: Louis Cole & Genevieve Artadi: Highly unique and energetic electro-acoustic music. Hard to explain.

Music: Austin Texas band 'The Black Angels' - Dark, bluesy rock obviously influenced by the Doors. To be honest, I'm not crazy about blues rock or the Doors, but 'The Black Angels' manage to meld these influences into something I really dig.

Music: UK band, 'Metronomy'. Their sound is eclectic, hooky and heavily influenced by all the cool British 80's bands I loved as a kid. Goes down easy. Works in the background as well as the fore.

Movies: Django and Looper were the two films that captivated me from start to finish. Both films by gifted auteurs, one at the top of his game, the other on the rise. Great writing. Great Directing. Great performances.

Horror movies: The Cabin in the Woods (A clever and absurd meta-horror mashup) and the The Lady in Black (A classic, classy ghost story) both satisfied. It's nice that there were a couple of diamonds in sea of Paranormal-Activity-esque-found-footage detritus.

TV: same stuff that everyone else likes - BB, GoT, DoAb and Sherlock. I also got into Always Sunny in Philadelphia this year - very dark, very funny.

Books: Started a bunch, finished very few. Nothing to recommend. "Checklist Manifesto" is pretty interesting so far - it's about how the brain functions (or fails to function) in the information-dense present.

Games: 'Xcom' was a worthy update of the original. Loved all the detailed micro/macro strategy. 'Journey' was beautiful and fairly moving for a videogame.

Comment hidden because you are ignoring dag. (show it anyway)

Best Book: Wool. If you like your dystopian post-apocalyptic SF - this is the one.

Best Movie: I enjoyed Argo, Looper and Cloud Atlas - though in general I think this was a poor year for the kinds of films I like.

Best game: As a casual gamer, dare I say, Bad Piggies? ;-)

TV: Will second Breaking Bad - I've actually gotten in to the final season of Merlin with the kids. Also, Season 2 of Game of Thrones and season 3 of Downton. Poor Cousin Matthew!

Music: This year has been a year of nostalgia - I'm listening to almost no new music except the latest from Kate Havnevik.

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>> ^AeroMechanical:

>> ^Payback:
>> ^kceaton1:

I'll still see this as it's a Bruce Willis movie and he seems to have an O.K. streak; he hasn't ever really made/been-in a dud, similar to Harrison Ford on that front. Plus Joseph Levitt to boot, should be alright.

Air Force One?

cough Hudson Hawk cough Armageddon cough


While both those films are fairly bad, they are FAR more watchable than the true dregs of movies that have been made by people such as Uwe Boll or M. Night Shyamalan--when M.N.S. made a good show, followed by a decent one, and then proceeded to believe that he made the best films man had ever bear witness to. Plus we both know that there was an audience (and a large one for Armageddon) for BOTH of those movies and also Air Force One, @Payback; sure, they weren't me and you (or @Payback), but there are a lot of people in this world that do not ask very much from their movies.

It's when a movie lets down EVEN THEM that it is a pure and utter failure, able to be ridiculed without equal until the end of time. These are the worst films made. Of course many of the movies that DO succeed, like Prometheus right now (June 2012--for reference), can be made fun of A LOT (like Armageddon, which has been the punchline to many jokes). Why? Because, they have MASSIVE disconnects from reality or other bad writing and screenplay mechanics that they are just ridiculous when thought about with any amount of real thought and prowess in a subject dealing with the movie and it's attempt to portray reality in another light that is utterly false. As I said they appeal to the "entertainment" type audience; someone that would go see Independence Day over and over again. Not to us were we watch someone take off a helmet in a potential zero atmosphere environment "to test it out"; that is UTTER NONSENSE, no one does this in reality! This is the stuff that makes us hate those movies (and create the myriad of jokes for it as well). But, not the entertainment crowd who can enjoy a movie for what it is and suspend their connection with reality for awhile.

Granted if I were to use my "full-on" reviewing analysis of what I would include as good movies--the count of "alright" movies would plummet (for Harrison Ford and Bruce Willis). I can think of atleast 3-4 shows that Bruce has been in that I would consider failures in this light, but I know that many people beyond me DO like these movies--that is why I don't count them as failures as there remains an audience--a decently sized one--for those movies. I have to admit I have my own "cult" movie favorites that no-one likes, really, except for me and maybe a few other people I know. I also have been able to like movies for their entertainment value although I know if I treat them with reality they fall completely apart, quickly. Sometimes it's best to let your imagination rule your heart.

Same thing here. I'm just not on the end of the spectrum that enjoys those movies, if you get my drift. So, trust me, I know Bruce has his bad movies (same with Harrison Ford)--but his bad movies, so far, are better than the real dregs and bottom scraped-up leftovers that are out there. That is what I was trying to say in a lot less context--I hope this clears it up. We most likely see things fairly close or the same; I'm just giving credit to the people that DO like Hudson Hawk, Armageddon, and Air Force One.

>> ^Payback:

>> ^kceaton1:

I'll still see this as it's a Bruce Willis movie and he seems to have an O.K. streak; he hasn't ever really made/been-in a dud, similar to Harrison Ford on that front. Plus Joseph Levitt to boot, should be alright.

Air Force One?


*cough*Hudson Hawk*cough*Armageddon*cough*

>> ^kceaton1:


I'll still see this as it's a Bruce Willis movie and he seems to have an O.K. streak; he hasn't ever really made/been-in a dud, similar to Harrison Ford on that front. Plus Joseph Levitt to boot, should be alright.


Air Force One?

>> ^Sarzy:

FYI Rian Johnson (the director of this film) posted the following on Twitter:
"If you're already set on seeing Looper, I'd avoid any trailers from here on out. They don't ruin the movie, but they tip a few little things that are fun to discover in the context of the movie."
If the director of a film tells you to avoid the trailer, it's probably a good idea to listen.


...And this should also be a calling card to START telling movie companies to reign in their trailer releases, editing what information and scenes are still in and what isn't. You can easily make a perfectly good trailer that still gives you an idea of what the story will be that pulls the crowds and still not give away really anything. Hell, sometimes it's good to even leave the STORY a secret, as in my point below.

I may not have liked Cloverfield too much (although it did do a lot of things right, like atmosphere; leaving you in perpetual suspense with the characters--rather than you being the omniscient overseer as usual), but damn it's small burst trailer and viral craze was enough to make people foam at the mouth. The reason why it worked is right down below...

BTW, Hollywood executives I'm about to tell you what makes a good trailer:

This is ALL you need, produce curiosity and you have your audience (in fact I'd dare say that by putting more information in that gives away ANY plot lines will actually DIMINISH your crowd size). Just give them curiosity and if your film isn't good enough to form curiosity then you happen to be releasing a Tyler Perry movie, again (or Adam Sandler).

This obviously isn't ever true as the majority of people STILL see movies even though these trailers are released. But, is this because they don't care about the trailers or they just want to see the show either way (trailer be damned, like us). For us commenting, we are movie goers that actually LOVE cinema hate having movies ruined by seeing one bad trailer.

It would be nice if they would atleast give it a chance.

BTW, this looks like an interesting film, but yet again--why in the hell do we need to know the whole story and how it will end (you can almost guess a few ways it will; I shouldn't even be able to conceptualize it yet!) basically before going? Does everybody release Michael Bay style trailers now (The Transformers trailers were REALLY bad in this area, as is Michael Bay...)?

I'll still see this as it's a Bruce Willis movie and he seems to have an O.K. streak; he hasn't ever really made/been-in a dud, similar to Harrison Ford on that front. Plus Joseph Levitt to boot, should be alright.

FYI Rian Johnson (the director of this film) posted the following on Twitter:

"If you're already set on seeing Looper, I'd avoid any trailers from here on out. They don't ruin the movie, but they tip a few little things that are fun to discover in the context of the movie."

If the director of a film tells you to avoid the trailer, it's probably a good idea to listen.

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