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Holy crap. WTF is that?
Attractive women can't go out in public because you're creeped out by them?!? (Super attractive? Well, 'eye of the beholder'.)
And just being near them makes men creeps?!? And Pee?!?
Why do you hate attractive and or young women?
Why do you hate men based on a nearby women's appearance?
Why would you say that, even if they had come with him?

What you're doing is 100% body/appearance shaming. Shaming them for being young, fit, and not unpleasant to look at. It sounds like jealousy, and it sounds incredibly inappropriate considering what you said afterwards. Shaming women for being attractive and fit is not supporting women in any way. Calling this a hooters is pretty insulting and dismissive to those professional, skilled, likely intelligent women, some of whom were customers.
PS: look at 3:02 for your "real women"
Where's the anger at the at least two fit, attractive men in that video?

-"I brought the common sense and facts, too. Just not eloquently or accurately"-
When you're facts and 'common sense' are inaccurate and nonsensical, you didn't really bring them.

Edit: do you have the same reaction every time you see George Clooney or DiCaprio? What disgusting creeps they must be in your eyes, since they're often accompanied by attractive women....who I guess are all Hooters bimbos, right?...and what disgusting creeps those women are, hanging out with attractive mimbos Must every red carpet be Thunder down Under? It's creepy how they manipulate women like that. You do realize they're manipulating you, right, because it's creepier if you don't.

I actually didn't think this was Seth's best work. I'm a big fan of his "Closer Look" segment, but I don't find him that funny with his one-liners.

Also, genuine question: why did Oprah win the Cecil B. de Mille Award? I mean, she's undoubtedly a successful person, but her filmography is pretty mediocre.

The last few winners were:
Steven Spielberg, Martin Scorsese, Robert De Niro, Morgan Freeman, Jodie Foster, Woody Allen, George Clooney, Denzel Washington and Meryl Streep.

There's no way you could argue that Oprah belongs in that company. (not really sure why Clooney is there either, TBH, also get lost Woody Allen, you creepy old fuck).

But still, upvote for the sentiment if not the execution.

Counterpunch ran a rant by John Steppling yesterday, titled The Magic Liberal.

As you can deduct from the title, the author takes aim at liberals, with focus on their public reaction to Comey's defenestration and their sudden love affair with institutions (law enforcement/intelligence agencies) that have proven time and time again to be an enemy of the public.

Check out this (admittedly rather long) snippet:

And so we return to the firing of James Comey. And this story has less to do with the Trump’s motivations and the fact that Comey probably needed to be fired (though not because of anything to do with Russia Gate) than it does with the sudden open embracing of throughly corrupt and compromised institutions.

I’ve had people tell me the integrity of the Judiciary in peril. One wonders how such sentences can be uttered with a straight face. I have read people writing of the attack on Democracy signaled by Comey’s firing. What can that possibly mean to anyone who says it? The anti democratic actions of Obama over 8 years seems to pass unnoticed. What was NDAA? Obama expanded surveillance, prosecuted whistleblowers and expanded military tribunals. And this just scratches the surface. What was TTP for that matter?

And yet, if you can find me a liberal willing to actually debate this, I will clean your house for a year, free.

No, the New Victorian, the american white educated liberal is in crises. He or she is in a panic over Trump not because they fear global conflagration or nuclear annihilation, but because their Yoga class might get cancelled. They are forever aggrieved over the violation of feelings — of selected vulnerable groups. This never includes the poor, Arabs, Communists or Africans. Well, ok, on occasion it does include Africans but only in very broad abstract ways (i.e. when George Clooney argues for saving South Sudan or whateverthefuckever it was he was on about).

The adoration of the White Helmets, a proven group of psychopathic jihadist mercenaries is a perfect example. The White Helmets fit the white paternalist narrative. It is a form of colonial logic. The subaltern needs rescue. And its just so wonderful that some clearly teachable Arabs can help themselves with the rescue. Lets give them an Oscar. The style codes are what matters here.

On our knees, passed back and forth between Miley Cyrus and Amy Poehler and Bill Murray and George Clooney. My jaw is starting to lock up just thinking about it.

Translation 'carlsberg don't do date rape but if they did it would be with George Clooney'

throughout the video, every time a fox opened their mouth, I was expecting to hear George Clooney.

Well, sure, he doesn't have a ton of range, but he's a movie star. He doesn't need to have range, nor do we particularly require it of him. Pretty much every movie star in the history of cinema plays some variation on themselves in every role -- people like George Clooney, Will Smith, or Tom Cruise (or going further back, Cary Grant, Clark Gable, or John Wayne) rarely mix it up too much, because they are movie stars and their established persona is part of what makes them so bankable. That doesn't make them bad actors, it just makes them a specific type of actor.

A better use would be to shoot one portal on your own crotch, and the other on George Clooney's (or substitute your own over sexed celebrity of choice)

Don't worry I totally agree. They tried a bunch of stuff cliche symbolism, character growth, but it didn't really mesh up with the plot of the movie. She was suicidal, but finds the will to go on through a space hallucination/talking with some rando Korean (dafuq)? What I gathered from the movie is that we shouldn't try and explore space since "gravity" will pull us back. We should just stay down on earth (since that's what Sandra Bullock spends the entire movie trying to get back to). But then they had George Clooney ask Sandra Bullock to enjoy the scenery, which she never does, which is a confusing message. I guess he was trying to say all the beauty we know is on Earth. This movie tried so so hard to be a "classic" space movie that dove into humanity, blah blah blah, bs bs bs. If anything this is a very anti space exploration movie.

Compare that to the rich symbolism of 2001: A Space Odyssey. Which juxtaposes the beginnings of humanity with where it is now, and asks what is the limit of humanity? Are we confined to Earth? It was really a movie of rebirth and redefining what humanity is and what we're capable of. Also the main character was a bad ass. Not only did he out smart the homicidal computer (which killed everyone except him). He continued his mission!

2001 and Gravity couldn't be more different.

I'm always amazed that anyone would even think that any biopic, movie, mini-series, or made for TV movie would be accurate. It's compressed, staged and artificial because that's the format that works for the medium. American pop culture eats its own feces, like when George Clooney made a movie about Chuck Barris (that great historical figure).

His Harrison Ford is quite convincing as well.

I'd like to see more of each of these performances without cutting away so that I can get a better feel for what he's offering.

Also, is that supposed to be George Clooney at the end? 'Cause I can kinda see that.

>> ^Jinx:

Almost worse is those ts with like, a word printed right across the chest. So I'm like, reading this and I look back up and I'm getting the dirtiest look. So yah, I'm going to print shit over my crotch and then give my frowny face a good work out.


The words are intended to draw attention, but only from very attractive men. Before you go reading any T shirts you've got to ask yourself; am I George Clooney? I'm sorry I don't make the rules, it's all for him.